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Lesson 2 of 4
  • Year 7

Texture in music

I can discuss texture and timbre in a piece of music and can perform a song in different textures.

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Lesson 2 of 4
New
New
  • Year 7

Texture in music

I can discuss texture and timbre in a piece of music and can perform a song in different textures.

Copyrighted materials: to view and download resources from this lesson, you’ll need to be in the UK and

Copyrights help

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Lesson details

Key learning points

  1. Unison is a musical texture where everyone performs the same thing at the same time.
  2. We can change the texture by adding or taking away different layers of music.
  3. Timbre refers to the sound of the instrument. Different timbres change the feeling and mood of the music.
  4. Singing posture and good vocal onset are important for singing well.
  5. The best posture for singing is with feet apart, knees slightly bent, arms by your sides and head lifted.

Keywords

  • Texture - the layers of sound and how they fit together in a piece of music

  • Timbre - how an instrument sounds

  • Unison - the name given to music where everyone sings the same thing at the same time

  • Vocal onset - the way that we initiate a sound when singing. Good vocal onset uses breath to initiate a sound by pushing air from the belly.

Common misconception

The description thick texture relates to the number of people performing and loud dynamics.

Texture is more complex than thick/thin. Use good examples early on to show that texture is related to the different layers in the music and not neccesarily the number of performers. Show how lots of performers could be performing in a thin texture.


To help you plan your year 7 music lesson on: Texture in music, download all teaching resources for free and adapt to suit your pupils' needs...

The singing warm up in cycle 2 can be swapped for alternatives but still focussing on singing posture and vocal onset. It is helpful to compare singing posture with regular posture to highlight the really different way we need to stand to sing. Singing posture should be lifted and not rigid.
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This content is © Oak National Academy Limited (2025), licensed on Open Government Licence version 3.0 except where otherwise stated. See Oak's terms & conditions (Collection 2).

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