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      Inside and outside in Graphic Communication

      Lesson details

      Learning outcome

      I can review the range of ways designers have been inspired by inside and outside.

      Key learning points

      1. Designers can represent physical and psychological boundaries through interior and exterior spaces.
      2. Designers might use framing, perspective and scale to connect or separate inside and outside spaces.
      3. Designs can explore the relationship between personal, private spaces and wider, public or natural settings.
      4. Some graphic designers explore the boundary between external appearance and internal experience.

      Keywords

      • Space - the area around, between and within objects. It can be physical, like a room, or it can be visual

      • Threshold - a point of change, a space between two different areas

      • Barrier - things that block, separate, or divide spaces, people, or ideas

      • Framing - how an artist chooses to surround or crop a subject in an artwork

      Common misconception

      "Inside" and "outside" in design always refers to physical spaces, like buildings or rooms.

      In design, "inside" and "outside" can mean more than places — they can show how someone feels on the inside, how people hide emotions, or the contrast between personal and public life.

      Teacher tip

      Greater contextual information on the designer's work can be found in the additional materials. You may wish to alter the imagery to better fit your project themes.

      Equipment

      Access to the internet or a library of art books. Sketchbook or paper for recording ideas, pencils, pens.

      Licence

      This content is © Oak National Academy Limited (2025), licensed on Open Government Licence version 3.0
      except where otherwise stated. See Oak's terms & conditions
      (Collection 2).

      Lesson video

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      Prior knowledge starter quiz

      6 Questions

      Q1.
      True or False: Photographers and designers often respond to a theme by researching and collecting visual references first.

      Correct answer: True
      False

      Q2.
      Which of the following is not a theme a photographer might explore?

      Identity
      Nature
      Time
      Correct answer: Multiplication tables

      Q3.
      Match the approach to the description:

      Correct Answer:Documentary,recording real-life events or situations

      recording real-life events or situations

      Correct Answer:Abstract,Focusing on shapes, textures, or patterns

      Focusing on shapes, textures, or patterns

      Correct Answer:Symbolic,Suggesting deeper meaning through objects or composition

      Suggesting deeper meaning through objects or composition

      Q4.
      True or False: A theme in photography always has only one correct way of being interpreted.

      True
      Correct answer: False

      Q5.
      Why is it important for a photographer to understand the audience when responding to a theme?

      So they know what camera to buy
      Correct answer: So they can make their work meaningful and engaging
      So they can avoid making mistakes in spelling
      So they can take photos more quickly

      Q6.
      Match the element of photography to what it can help express:

      Correct Answer:Light,Mood and atmosphere

      Mood and atmosphere

      Correct Answer:Colour,Emotional tone and symbolism

      Emotional tone and symbolism

      Correct Answer:Composition,Balance, focus and meaning

      Balance, focus and meaning


      To help you plan your 10 art and design lesson on: Inside and outside in Graphic Communication, download all teaching resources for free and adapt to suit your pupils' needs...