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Lesson 6 of 6
  • Year 10

Inside and outside in Graphic Communication

I can review the range of ways designers have been inspired by inside and outside.

Lesson 6 of 6
New
New
  • Year 10

Inside and outside in Graphic Communication

I can review the range of ways designers have been inspired by inside and outside.

These resources will be removed by end of Summer Term 2025.

Switch to our new teaching resources now - designed by teachers and leading subject experts, and tested in classrooms.

These resources were created for remote use during the pandemic and are not designed for classroom teaching.

Lesson details

Key learning points

  1. Designers can represent physical and psychological boundaries through interior and exterior spaces.
  2. Designers might use framing, perspective and scale to connect or separate inside and outside spaces.
  3. Designs can explore the relationship between personal, private spaces and wider, public or natural settings.
  4. Some graphic designers explore the boundary between external appearance and internal experience.

Keywords

  • Space - the area around, between and within objects. It can be physical, like a room, or it can be visual

  • Threshold - a point of change, a space between two different areas

  • Barrier - things that block, separate, or divide spaces, people, or ideas

  • Framing - how an artist chooses to surround or crop a subject in an artwork

Common misconception

"Inside" and "outside" in design always refers to physical spaces, like buildings or rooms.

In design, "inside" and "outside" can mean more than places — they can show how someone feels on the inside, how people hide emotions, or the contrast between personal and public life.


To help you plan your year 10 art and design lesson on: Inside and outside in Graphic Communication, download all teaching resources for free and adapt to suit your pupils' needs...

Greater contextual information on the designer's work can be found in the additional materials. You may wish to alter the imagery to better fit your project themes.
Teacher tip

Equipment

Access to the internet or a library of art books. Sketchbook or paper for recording ideas, pencils, pens.

Licence

This content is © Oak National Academy Limited (2025), licensed on Open Government Licence version 3.0 except where otherwise stated. See Oak's terms & conditions (Collection 2).

Lesson video

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Prior knowledge starter quiz

Download quiz pdf

6 Questions

Q1.
True or False: Photographers and designers often respond to a theme by researching and collecting visual references first.

Correct answer: True
False

Q2.
Which of the following is not a theme a photographer might explore?

Identity
Nature
Time
Correct answer: Multiplication tables

Q3.
Match the approach to the description:

Correct Answer:Documentary,recording real-life events or situations

recording real-life events or situations

Correct Answer:Abstract,Focusing on shapes, textures, or patterns

Focusing on shapes, textures, or patterns

Correct Answer:Symbolic,Suggesting deeper meaning through objects or composition

Suggesting deeper meaning through objects or composition

Q4.
True or False: A theme in photography always has only one correct way of being interpreted.

True
Correct answer: False

Q5.
Why is it important for a photographer to understand the audience when responding to a theme?

So they know what camera to buy
Correct answer: So they can make their work meaningful and engaging
So they can avoid making mistakes in spelling
So they can take photos more quickly

Q6.
Match the element of photography to what it can help express:

Correct Answer:Light,Mood and atmosphere

Mood and atmosphere

Correct Answer:Colour,Emotional tone and symbolism

Emotional tone and symbolism

Correct Answer:Composition,Balance, focus and meaning

Balance, focus and meaning

Additional material

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