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      Building a thicker texture with a chanted ostinato

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      Lesson details

      Learning outcome

      I can keep a rhythmic, chanted ostinato going under a song.

      Key learning points

      1. Short rhythmic patterns can be repeated to create an ostinato accompaniment for a chant or song.
      2. The more layers of sound in a piece of music, the thicker the texture.
      3. Beats are organised into patterns of strong beats and weak beats.
      4. When the tempo gets faster, we need to chant and sing faster.
      5. When the tempo gets slower we need to chant and sing slower.

      Keywords

      • Chant - speaking in time to a pulse

      • Sing - the voice we use to create musical sounds that can be a mixture of high sounds and low sounds

      • Rhythm - the pattern of sounds that we play and sing

      • Ostinato - a repeating musical pattern

      • Texture - the layering of different musical sounds

      Common misconception

      The pulse and steady beat always stays the same.

      If the tempo changes, the pulse will change too!

      Teacher tip

      Encourage pupils to be comfortable with singing in parts and not to block the sound of the other group. You can mix them up, or have them move around the room as they sing, to hear the textures working together.

      Licence

      This content is © Oak National Academy Limited (2026), licensed on Open Government Licence version 3.0
      except where otherwise stated. See Oak's terms & conditions
      (Collection 2).

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