Rehearsing layers of unpitched accompaniments under a chant
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Lesson details
Learning outcome
I can build layers of percussion under a chant as part of an ensemble and know this creates a thicker texture.
Key learning points
- We can use ostinato patterns to accompany a musical performance.
- We can combine different layers of sound to add texture to an accompaniment.
- We can play multiple layers of sound simultaneously as an ensemble.
- Adding more layers of sound creates a thicker texture.
Keywords
Ostinato - a repeating musical pattern which can be rhythmic or melodic
Texture - the combination of different layers of sounds
Accompaniment - a musical part that supports the main melody or chant
Ensemble - a group of people who perform together
Rehearse - to practise in order to improve and prepare for performance
Common misconception
When playing layers of ostinati we have to ignore the other parts in order to focus on playing our own layer accurately.
When performing layers of ostinati, it is important that each group is aware of how their part fits into the whole. Layers should work together, ensuring they are keeping a steady pulse and that the start of their musical sentences align.
Teacher tip
When layering multiple ostinati, pupils should be sat together with others playing the same part. It can be helpful for pupils to chant their rhythm out loud at the start, and then move to saying the rhythm in their heads as they play.
Equipment
Unpitched percussion instruments such as claves, hand drums. or shakers.
Licence
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