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      Singing an ostinato accompaniment

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      Lesson details

      Learning outcome

      I can sing an ostinato pattern in a homophonic texture.

      Key learning points

      1. Using a range of warm ups to prepare the body for singing
      2. Pop songs often use a highly repetitive chord sequence and a verse chorus structure
      3. Syncopation can drive the music forward
      4. Adding dynamics and emphasis within the phrase can add shape to a melody
      5. Singing a syncopated melody

      Keywords

      • Chord sequence - a pattern of chords that usually lasts for 4, 8 or 16 bars

      • Syncopation - a rhythm which emphasises (accents) notes in between the main beats, often referred to as off-beat rhythms

      • Anacrusis - the opening note or notes of a phrase which starts before the first beat of the bar (also called a pickup)

      Common misconception

      The balance is the same throughout a song.

      The balance changes depending on the parts and texture. The melody line would usually be the most prominent part. In an accompaniment texture all parts are more likely to be equal. It's important to listen and be aware of the lead line.

      Teacher tip

      Sing the melody as pupils loop the ostinato so they can hear immediately how the parts fit together musically. The melody is highly syncopated. Take the time to rehearse this thoroughly to develop accuracy and confidence. You could play the original track to discuss song features in context.

      Licence

      This content is © Oak National Academy Limited (2026), licensed on Open Government Licence version 3.0
      except where otherwise stated. See Oak's terms & conditions
      (Collection 2).

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