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Compose and create: improvising with four notes

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Threads

Why this why now

This unit builds on previous work on pitch and notation. Pupils embed their understanding of do, mi, so, la, using these tones to both play a known melody and improvise on pitched percussion. Pupils continue to study stick notation, using this to support their improvisations. Through the contrast of written notation and improvisation, pupils develop their understanding of the difference between composition and improvisation.

Prior knowledge requirements

  • Pupils have sung songs using the toneset do, mi, so, la.
  • Pupils have used different ways to notate and record music.
  • Pupils can read four note notation on a simplified stave and can represent this using movement and singing.
  • Pupils can identify the direction of pitch in an ascending or descending four note toneset.
  • Pupils have played three note melodies (mi, so, la) on pitched percussion.
  • Pupils have had previous opportunities to compose and improvise music on tuned percussion.

Threads

Why this why now

This unit builds on previous work on pitch and notation. Pupils embed their understanding of do, mi, so, la, using these tones to both play a known melody and improvise on pitched percussion. Pupils continue to study stick notation, using this to support their improvisations. Through the contrast of written notation and improvisation, pupils develop their understanding of the difference between composition and improvisation.

Prior knowledge requirements

  • Pupils have sung songs using the toneset do, mi, so, la.
  • Pupils have used different ways to notate and record music.
  • Pupils can read four note notation on a simplified stave and can represent this using movement and singing.
  • Pupils can identify the direction of pitch in an ascending or descending four note toneset.
  • Pupils have played three note melodies (mi, so, la) on pitched percussion.
  • Pupils have had previous opportunities to compose and improvise music on tuned percussion.