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Folk songs from around the world

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Threads

Why this why now

Pupils learn about the folk song tradition, continuing to learn about the pentatonic scale and modes as a compositional starting point. They sing songs changing from unison to harmony passages and the impact this can have. They develop keyboard skills, learning to move out of position within a phrase, learning the notes outside C to C and reinforcing their understanding of crotchet, quavers and dotted rhythms. They learn about folk instruments outside of the orchestra and about alternative structures to ABA form. They also consider lyric writing and the relationship between lyrics and rhythm.

Prior knowledge requirements

  • Pupils have been introduced to the notation C to C and crotchets, minims, semibreves and dotted rhythms
  • Pupils understand of the concepts tempo, dynamics, pitch and rhythm
  • Pupils can find the C position on the keyboard
  • Pupils have experience of finding patterns in music to help them learn a piece
  • Pupils may have experience of putting a melody and accompaniment together in pairs or with two hands
  • Pupils have experience of singing in unison and in simple harmony

Threads

Why this why now

Pupils learn about the folk song tradition, continuing to learn about the pentatonic scale and modes as a compositional starting point. They sing songs changing from unison to harmony passages and the impact this can have. They develop keyboard skills, learning to move out of position within a phrase, learning the notes outside C to C and reinforcing their understanding of crotchet, quavers and dotted rhythms. They learn about folk instruments outside of the orchestra and about alternative structures to ABA form. They also consider lyric writing and the relationship between lyrics and rhythm.

Prior knowledge requirements

  • Pupils have been introduced to the notation C to C and crotchets, minims, semibreves and dotted rhythms
  • Pupils understand of the concepts tempo, dynamics, pitch and rhythm
  • Pupils can find the C position on the keyboard
  • Pupils have experience of finding patterns in music to help them learn a piece
  • Pupils may have experience of putting a melody and accompaniment together in pairs or with two hands
  • Pupils have experience of singing in unison and in simple harmony