Exploring texture and timbre
I can change texture and timbre to create contrast in repeated sections of music.
Copyrighted materials: to view and download resources from this lesson, you’ll need to be in the UK and
- Year 10
- AQA
Exploring texture and timbre
I can change texture and timbre to create contrast in repeated sections of music.
Copyrighted materials: to view and download resources from this lesson, you’ll need to be in the UK and
Lesson details
Key learning points
- To create contrast in a composition it is important to vary the texture and timbre.
- This might include changing which part plays the melody and which parts are accompanying.
- Composers use a range of accompaniment patterns to create the mood and character in the music.
- These include broken chords and Alberti bass patterns.
- They change these patterns to create variety and contrast between sections.
Keywords
Accompaniment - The accompaniment is the musical part or parts which provide the rhythmic and harmonic support for the melody.
Broken chord - A broken chord is when the notes of a chord are not all played at the same time.
Alberti bass - Alberti bass is a typical broken chord accompaniment pattern of the classical period.
Common misconception
Broken chords have to be in the triad position where the root is the lowest note.
Broken chords like block chords can be played in different inversions and this can make them more interesting.
Equipment
A keyboard (or other suitable instrument) or DAW/notation software
Licence
Sign in to continue
Our content remains 100% free, but to access certain copyrighted materials, you'll need to sign in. This ensures we’re both staying within the rules.
P.S. Signing in also gives you more ways to make the most of Oak like unit downloads!