Part singing: adding a rhythmic ostinato accompaniment
I can play a rhythmic ostinato accompaniment with a strong pulse whilst singing simultaneously.
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- Year 5
Part singing: adding a rhythmic ostinato accompaniment
I can play a rhythmic ostinato accompaniment with a strong pulse whilst singing simultaneously.
Copyrighted materials: to view and download resources from this lesson, you’ll need to be in the UK and
Lesson details
Key learning points
- Adding a rhythmic ostinato under a song creates another layer of texture.
- Playing a rhythmic ostinato can help us keep in time to the steady pulse.
- A rhythmic ostinato can be inspired by rhythms from a song.
- A rhythmic ostinato can be layered under partner songs to create a thicker texture.
- Takadimi notation helps us read rhythms.
Keywords
Rhythm - the pattern of sounds and silences that we play and sing
Rhythmic ostinato - a repeating musical idea created from a rhythmic pattern
Texture - the combination of different layers of sounds
Notation - a way of visually representing and recording music
Common misconception
Takadi and Ta-dimi are the same thing.
Takadi is quick-quick-slow. Ta-dimi is slow-quick-quick.
Equipment
Class set (ideally) of unpitched percussion that creates a clear rhythm e.g. claves
Licence
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