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      The voice in Western classical music

      I can explain the various ways that voices have been used throughout the periods of Western classical music.

      Copyrighted materials: to view and download resources from this lesson, you’ll need to be in the UK and

      Lesson 4 of 5
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      • Year 10
      • AQA

      The voice in Western classical music

      I can explain the various ways that voices have been used throughout the periods of Western classical music.

      Copyrighted materials: to view and download resources from this lesson, you’ll need to be in the UK and

      Lesson details

      Key learning points

      1. Composers have used voices in many different ways.
      2. Solo songs, such as lieder, were particularly common from the Romantic period onwards.
      3. They often used techniques such as word-painting and melisma.
      4. Opera used solo singers, a chorus and orchestra to tell epic stories, using arias and recitative.
      5. In the Baroque period, oratorios and anthems are two key genres of vocal music.

      Keywords

      • Choir / chorus - a group of singers, often including soprano, alto, tenor and bass voices (SATB)

      • Lied - a solo song, most common in the Romantic period, usually with piano accompaniment (plural 'lieder')

      • Recitative - a vocal style that sounds semi-spoken, often used for dialogue in opera

      • Word-painting - where a vocal melody reflects the meaning of the words (e.g. a descending melody on the word ‘falls’)

      • Melisma - where multiple notes are sung during one syllable of a word

      Common misconception

      Oratorios and anthems are essentially the same - they are both religious, with similar musical features.

      Anthems often are a capella, whereas oratorios always have orchestral accompaniment. Oratorios are long pieces of music, consisting of numerous songs that tell a biblical story. Anthems are shorter songs that are used as part of a Christian service.

      If possible, explore some broader choral repertoire with pupils. Listening exercises based on Baroque madrigals are a good starting point, focusing on the vocal techniques and the way the voices are used. To broaden learning, explore Brahms' German Requiem as an example of later choral music.
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      Lesson appears in

      UnitMusic / The Western Classical Tradition (1600-1910)

      AQAMusic

      EdexcelMusic

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