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      Harmony and tonality in film music

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      Lesson details

      Learning outcome

      I can explain how harmony and tonality help shape films and have reharmonised a melody.

      Key learning points

      1. Harmony and tonality have a significant impact on the mood of film music.
      2. Composers use atonal, diatonic (major or minor) or modal tonality to create different moods.
      3. The choice of chords and use of chromatic harmony are also important for creating the correct emotions for the scene.
      4. Reharmonising a melody, by changing the harmony, is an effective way to develop a melodic idea in a film.

      Keywords

      • Tonality - the set of notes that a piece is based on (e.g. major, minor, atonal)

      • Diatonic - music that uses only notes from within a key

      • Chromatic - music that uses some notes from outside of the key

      • Modal - music based on a mode, a type of scale different from major and minor scales

      • Reharmonisation - when a composer keeps a melody the same but changes the harmony

      Common misconception

      Chromatic and atonal are the same thing.

      Atonal music sounds chromatic, because there is no clear tonal centre. However, chromatic music isn't necessarily atonal - a piece can be in a key, but use chromatic notes from outside of it.

      Teacher tip

      Encourage confident pupils to explore their reharmonisation of the melody using extended chords. They should experiment creating their own 4- or 5-note chords to reharmonise the melody with more complexity.

      Equipment

      DAW, notation software, keyboard or other suitable instrument as a composition tool

      Licence

      This content is © Oak National Academy Limited (2026), licensed on Open Government Licence version 3.0 (opens in a new tab)
      except where otherwise stated. See Oak's terms & conditions (opens in a new tab)
      (Collection 2).

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