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      Considering timbre, articulation and dynamics

      Lesson details

      Learning outcome

      I can identify different ways to use timbre, articulation and dynamics to add variety and interest to my composition.

      Key learning points

      1. Composers often use timbre, articulation and dynamics precisely to create interesting musical effects.
      2. The way this is done varies between styles, but there are some common strategies to consider.
      3. These include creating contrast between, or within sections, and exploiting the timbres of instruments and registers.
      4. You can consider using different types of articulation (e.g. accents, tenuto) and sudden (subito) dynamic changes.
      5. Sometimes it is effective to use contrasting dynamics or articulation between different parts playing at the same time.

      Keywords

      • Register - a particular section of an instrument's range (for example, a specific octave)

      • Accent - a symbol (>) indicating that a note should be emphasised

      • Tenuto - a type of accent in which a note is given more 'weight' and its full duration

      • Subito - an Italian term meaning 'suddenly', usually used to indicate sudden dynamic changes

      • Flutter tonguing - a brass and woodwind technique that creates a fluttery 'rrr' effect during a note; it is indicated in a score by the tremolo symbol and 'fl.'

      Common misconception

      When composing for multiple parts, they should use the same or similar articulation.

      In certain styles it can be very effective to use contrasting articulation in different parts. This might mean having a legato melody in one part and an accented staccato accompaniment, or any other combination.

      Teacher tip

      This composition is a useful starting point for exploring: atonal composition; extended techniques; sonata rondo form; using a motif / tone row; composing for flute; creating contrast; writing a piano accompaniment; using dissonance.

      Files needed for this lesson

      Composition exemplar - atonal composition for flute and piano (score) 166.25 KB (PDF)

      Composition exemplar - atonal composition for flute and piano (audio) 3.74 MB (MP3)

      Download these files to use in the lesson.

      Licence

      This content is © Oak National Academy Limited (2026), licensed on Open Government Licence version 3.0
      except where otherwise stated. See Oak's terms & conditions
      (Collection 2).

      Lesson video

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      Prior knowledge starter quiz

      4 Questions

      Q1.
      Match these instrument-specific techniques to their definition.

      Correct Answer:pizz.,plucked
      Correct Answer:ped.,use the sustain pedal
      Correct Answer:col sordino,with the mute
      Correct Answer:fl.,flutter tongue

      Q2.
      A particular section of an instrument's range is called a .

      Correct Answer: Register, register

      Q3.
      Which of these terms means to play smoothly?

      staccato
      fortissimo
      Correct answer: legato
      crescendo

      Q4.
      Which of these indicates a changing dynamic?

      piano
      forte
      Correct answer: diminuendo
      pp

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